and enjoy some home cooking. But as I stood
in services, bringing to bear the focus and concentration I had learned through meditation, I
felt answered; I felt not alone. Not in a wacky
sense of hearing voices, of course, but in a real
sense, unjustifiable by any rational measurements. This moment of brushing up to devekut,
a clinging closeness with God, was the payoff
for my years of sensing energy and expanding
awareness in a controlled way, through the
practice of meditating — of channeling experiences through the liturgy rather than approaching the liturgy as an intellectual or
abstractly spiritual practice.
I am finishing rabbinical school now at the
Ziegler School of Rabbinic Studies in Los
Angeles. My teacher, Rabbi Elliot Dorff, introduced me at long last to the word “arational” —
not something rational and not something “
irrational” as in senseless, but something that
simply falls outside the paradigm of rationalism. Mysticism, which is the term I have used
to describe my relationship with Judaism and
the world, is “arational.” I never knew the word
until recently, but I had to find its meaning on
my own. Rationalism was the idol of my parents — their worldview and their engagement
with Judaism. It was the idol I had to destroy
in order to become the person my Creator
meant me to be. And it has provided an extremely fine grounding for studying rabbinics
— even those areas most rational.
SHMA.COM
Yona Verwer
Protection Amulet — Pewter
From the series “Kabbalah of Bling”
acrylic on canvas with chain
“The Kabbalah
of Bling”
YONA VERWER
This series, “The Kabbalah of Bling” fea- tures canvasses shaped as large-scale modern “amulets,” hung on chains, and
ready to wear.
For centuries amulets have been used as
appeals to heaven for safety, health, wealth,
and power. Currently many people rely on different types of talismans — worshipping guns,
drugs, money, media, and art for their personal
and social wellbeing; some deny the need for
guidance of any kind.
These paintings comment on the way
Kabbalah has been misused lately (appropriated
as it has been by pop icons) and also on contemporary notions of religion. These “amulets”
reflect on this contemporary concept of self-reliance and the faux spirituality found in the worship of objects for their own value.
© YONA VERWER 2005
Yona Verwer
Protection Amulet — Gold
From the series “Kabbalah of Bling”
acrylic on canvas with chain
© YONA VERWER 2005, COLLECTION MITCHELL& LAUREN PRESSER
Dutch-born artist Yona Verwer
received her MFA from the
Royal Academy of Arts in The
Hague. Her recent paintings
and photographs feature
mystical Jewish imagery as
well as amulet-shaped
objects and portraits.